Home  ›  Bob Moon Fine Artist California School of Fine Art

Bob Moon Fine Artist California School of Fine Art

Written By الجمعة، 6 مايو 2022 Add Comment Edit

American creative person and activist

Robert Brokl
Built-in 1948

Marshfield, Wisconsin, U.s.
Nationality American
Pedagogy University of California, Berkeley
Known for Printmaking, painting, drawing, activism
Spouse(s) Alfred P. Crofts
Awards Adolph and Esther Gottlieb Foundation, Kala Institute
Website Robert Brokl

Robert Brokl (built-in 1948) is an American visual artist and activist based in the Bay Area, known for expressive woodblock printmaking and painting that has focused on the effigy, landscape and travel for subject matter.[1] [2] [3] [iv] His visual language combines the influences of German language Expressionism, Japanese woodblock printing and the Bay Area Figurative Movement with a loosely autobiographical, Romantic involvement in representing authentic personal feel, inner states and nature.[5] [half-dozen] [7] Critics and curators narrate his style past its graphic line, expressive gestural brushwork, tactile surfaces and sensitivity to color, mood and lite.[8] [nine] [10]

Robert Brokl, Figures on a Span (subsequently Hiroshige), woodblock print, 24" ten 38", 1987.

Brokl's work has been exhibited internationally, including at the Fine Arts Museums of San Francisco (FAMSF), Tokyo Art Museum, Oakland Museum of California, International Biennial of Woodcut and Wood-Engraving (Banská Bystrica) and San Jose Museum of Art.[11] [12] [13] [fourteen] [xv] His fine art belongs to public collections including the Achenbach Foundation for the Graphic Arts (FAMSF), the Library of Congress, Oakland Museum and Rhode Isle School of Design Museum, among others.[16] [17] [18] [xix]

In addition to making fine art, Brokl has taught, curated shows, and been an activist in the Bay Surface area for several decades, focusing specially on gay rights and celebrated preservation in Oakland.[three] [iv] [twenty] He lives and works in North Oakland with his spouse, Alfred Crofts, and shows at the SFMOMA Artists Gallery.[21] [22]

Early life and career [edit]

Robert Brokl was built-in in 1948 in Marshfield, Wisconsin to Sylvester Brokl, a farmer and structure worker, and Ruth (Ware) Brokl, a manufacturing plant worker and nurse's aide.[14] His parents married at the beginning of World War Ii; after enlisting, his begetter saw action in the Pacific Theater for which he was decorated. Although interested in fine art since his youth, Brokl enrolled at the University of Wisconsin in 1967 every bit an English language major; his studies were interrupted by his expulsion for antiwar movement activities. He moved to California in the early 1970s, where he met his future married man, Alfred Crofts, at a gay liberation meeting.[23]

In 1974, Brokl returned to art, taking classes at Laney Higher in Oakland and exhibiting by 1976.[18] He so studied art at University of California, Berkeley (BFA, 1979; MA, 1980; MFA, 1982), where he was influenced past the Bay Area Figurative Movement and faculty artists Elmer Bischoff, Joan Brown, Jay DeFeo, Karl Kasten, Sylvia Lark and Mary Lovelace O'Neal.[24] [25] [26] [27] From 1981–iii, Brokl served equally vice-president and president of the California Guild of Printmakers (CSP) and helped organize exhibitions and catalogues, including "Contemporary California Prints" (1982) and "Cut Border" (1987), during a time of resurgent interest in printmaking.[15] [18] [28] [3]

Brokl built a reputation in the 1980s for figurative and narrative printmaking and painting through group exhibitions at the SFMOMA Artists Gallery, Ruggiero Henis Gallery (New York), San Jose Museum of Art, Oakland Museum, FAMSF and The Haggin Museum, and international shows in Tokyo and Thailand and throughout Europe.[eleven] [xiv] [6] [29] His first show in 1983 at the SFMOMA Artists Gallery run past Marian Parmenter began a longstanding exhibition history there that continues.[30] [31] [22] In later decades, Brokl has appeared in group shows at the National Printmaking Symposium (Drake Academy), Kala Establish, Triton Museum of Art and Kyoto Urban center Museum, and featured exhibitions at the Oakland Museum, Fresno Art Museum, de Young Museum, and Thoreau Center for Sustainability.[32] [33] [27]

Work [edit]

The representational mode of Brokl'due south early work in the 1970s reflected his interest in recording and expressing his experience as a gay homo, equally well as the influence of California, and oftentimes depicted naturally lit people at leisure and on the beach.[23] Prior to earning his MFA degree, he oft drew disquisitional attention for paintings and works on paper in juried annuals and group exhibitions, including notices from Bay Area critics Victoria Dalkey, Cathy Curtis and Thomas Albright and The Abet for the rawness and "blunt strength"[34] of his figurative work and leisurely, off-guard nudes (e.g., Cocky-Portrait with Pink Heaven and Al and Ludwig – Russian River, both 1980).[35] [36] [25] [23]

Robert Brokl, India 13, woodblock, pastel, stencil and collage, fifty" x 38", 1996.

Woodblock printmaking [edit]

In the 1980s, Brokl added landscape and woodblock (woodcut) printmaking to his repertoire, producing piece of work noted for its built-upwardly surfaces and textures and feeling for colour, mood, and specially, low-cal, as in the big impress Full Moon – Aquatic Park, 1984 (FAMSF Collection),[37] which intertwines forms of landscape, foliage, water and sky).[38] [xi] [9] [viii] [24] He was strongly influenced by exposure to Asian art and the Japanese printmakers Hiroshige and Yoshitoshi; that influence is borne out past pictorial motifs (e.1000., bridges, scrolls, birds and flora) and compositional strategies such equally the stylized stacking of elements, which creates shallow—rather than perspectival—space in works such as Weeping Willow (1986) and Figures on a Span (After Hiroshige) (both 1987, FAMSF Collection).[18] [39] [ii] [ten] [forty] [41]

Mary Davis MacNaughton and others draw Brokl's manner equally combining traditional Ukiyo-e subject area matter and landscape views with the assuming graphic line of High german Expressionist woodcuts;[6] [32] [iii] his technique employs multiple blocks to build colour and surface and exploits the grain of the wood for expressive purposes, oftentimes augmenting the effect with wire brushes.[42] Oakland Museum curator Harvey Jones writes that the resulting painterly prints (e.g., Willow Bridge, 1989, FAMSF Drove[43]) display "gestural effects and lively tactile surfaces more often associated with contemporary oil painting."[x] [28] [ix] [44]

Brokl's later printmaking—like his painting—explores travel, animals and pets, and art itself and frequently combines woodblock printing, drawing, collage, painting and stencils (e.g., 9 Roosters, 2004; Weller Frog and Albers Painting, 2011; or David, 1992).[3] [27] [45] [46] [13] Republic of india XIII (1996) offers a characteristic work in this vein, with a layered, gridded format combining expressive gesture and crudeness in its repeated tiger, rider and elephant images and delicacy in its flower, rabbit and abstract woodblock patterns created with Indian fabric printing blocks.[47]

Robert Brokl, Al and Ludwig--Russian River, oil on canvas, 85.v" x 72", 1980.

Painting and drawing [edit]

Brokl'south oil paintings and prints were featured in the well-covered, v-person exhibition "Gimmicky Romanticism" (California State University, Hayward, 1987), which sought to counter the era's "Bad Painting" movement with piece of work that merged drama with skill and feeling with form.[8] [9] [v] Critics such as Charles Shere of the Oakland Tribune characterized Brokl equally the unabashed romantic in that show, noting his turbulent, intensely inward and biographical interiors and landscape paintings, such equally Mendocino Coast (1986), whose potent forms and expressive brushwork he likened to that of Elmer Bischoff.[1] [seven] [48] Other reviewers compare that work and others like Figures on a Bridge and Crow (1990) to the Romantic scenes of Friedrich and Ryder, the impressionistic mode of Arts and crafts painter Arthur Mathews, or pointillism.[8] [49] [l] Artweek critic Mark Van Proyen noted Brokl's "interest in light as a transfiguring pictorial element" in moody, "unpopulated interiors and landscapes that … capture a nocturnal mood of moonlit quietude."[five]

Robert Brokl, Midwest Half dozen/VII, oil on panels, 72" x 96", 2001.

In the 1990s, and 2000s, Brokl'southward painting and drawing has oft been inspired by travels to Greece, India, Italia, Morocco and Kingdom of spain; this piece of work ofttimes fuses multiple images in surrealist-like collages, "puzzles" or grids that suggest narrative, dream states and the gimmicky bombardment of sensations, as in the big oil, Midwest VI/VII (2001).[31] [51] [52] [26] His exhibitions at the SFMOMA Creative person Gallery (1993, 1999) and paintings in the 1994 show "Dream Riddle" featured fragments of masterworks, such as Michelangelo'due south David, besides equally Greek vases, Roman sculpture and Indian miniatures, which part equally symbolic icons in meditations on mortality, man existence and the AIDS crunch.[31] [53] [51] Writer Jennifer Modenessi describes the testify, "Viaggi Artistici" (2002, with M. Louise Stanley) as a "fantastic voyage where past and present overlap and collide", noting his "Egypt" series, which combines impressionistic images of outdoor monuments, museum interiors and silhouettes of tourists.[52] [26] In the 2000s, Brokl has also explored portraiture (east.g., Joan Brown, 2005), often in multi-panel formats (eastward.g., Six Mod Heads I, 1999).[54] [55]

Activism [edit]

Brokl has been an activist for five decades, start with antiwar and civil rights activities in the 1960s and standing through work on gay rights, historical preservation and sustainable development, and community support and fundraising.[56] [21] [57] [58] [59] In the 1970s, he and Crofts worked as members of the Committee for a Berkeley Man Rights Law for Gay People for passage of Berkeley's gay rights ordinance (canonical, 1978); its introduction spurred passage of similar legislation in San Francisco that year through efforts led by Harvey Milk and was considered the strongest such measure in the U.S. at the time.[four] [60] [61] [62] [23]

Brokl also has a passion for grassroots preservationist efforts. He and Crofts were cadre founding members of N Oakland Voters Alliance (NOVA), which published a newsletter and held monthly meetings in the 1980s and 1990s.[21] [63] [64] [58] NOVA battled publicly with the urban center of Oakland over attempts to demolish North Oakland'south Old Merritt College (originally University High School and a central site in the origins of the Blackness Panther Party)[65] [66] [67] [68] The group successfully placed the building on the National Register of Historic Places, over the City's objections, and sued the Metropolis in federal court for "sabotage by neglect" in 1992.[69] [70] The nine-acre Merritt site was eventually rehabilitated for use as UCSF Benioff Children'south Hospital Oakland Research Found, the Northward Oakland Senior Middle, and a public park and housing; NOVA besides successfully placed four Carnegie Libraries in the city on the National Register, bolstering successful bond measures for their refurbishment.[70] [69]

In 1996, Brokl joined the board of the Oakland Heritage Brotherhood, initiating annual "endangered lists" of threatened Oakland landmarks.[63] [71] Amid the landmarks rescued were the Art Deco Flim-flam Oakland Theater, which reopened in 2009 after a $75 one thousand thousand restoration; the Floral Depot building; a Sears Roebuck building converted into lofts; and the Cox Cadillac Building, converted into a Whole Foods.[71] [20] [57] [72] He besides joined efforts by The League for the Protection of Oakland's Architectural and Celebrated Resources to save a 1923 Montgomery Ward & Company distribution centre in the Fruitvale District, despite its list on the National Register of Historic Places; the building was demolished in 2001.[21] [71] [57] [73] [74]

Related to his activism, Brokl has been a longtime contributor to the Berkeley Daily Planet; his articles are available both in its archives and at Muck Rack.com.[75] [76]

Additional art activities [edit]

Brokl has advocated through essays, lectures and curatorial efforts for the recognition of several nether-appreciated artists and movements, including David Park and the Bay Area Figurative Movement,[77] printer and painter Augusta Rathbone (1897–1990), and the figurative painter Richard Caldwell Brewer (1923–2014), who focused on male nudes; equally executors of Brewer'southward estate, Brokl and Crofts take donated his materials and many of his works to the Bancroft Library at UC Berkeley, the GLBT Historical Society in San Francisco, and the ONE National Gay & Lesbian Archives at the USC Libraries in Los Angeles, respectively.[27] [78] [79] Brokl has also taught art at University of California, Davis and San Francisco State University.[3]

Awards and collections [edit]

Brokl's art belongs to the public collections of the Achenbach Foundation for the Graphic Arts (FAMSF),[16] [xviii] Library of Congress,[17] Manetti Shrem Museum of Art, Oakland Museum,[27] Rhode Island School of Blueprint Museum,[nineteen] and Stockton Art Committee, amid others, as well equally to numerous private and corporate collections.[3] [6] [29] He has been recognized with an Adolph and Esther Gottlieb Foundation Grant (2006), a Kala Constitute Fellowship (1992), prizes from the Berkeley Art Centre, Stockton Art League and Bradley National Print and Drawing Exhibition (Illinois), and an artist-in-residence at the de Immature Museum (2006), among other awards.[80] [3] [27] [81] [29]

References [edit]

  1. ^ a b Shere, Charles. "'New Romanticism' Gains Credibility," The Oakland Tribune, March eleven, 1986.
  2. ^ a b Swift, Harriet. "Diversity is the theme of Oakland'due south artists," Oakland Tribune, May one, 1990, p. C1–2.
  3. ^ a b c d e f g h Walters, Sylvia Solochek. "The 85th Ceremony Revisited," California Society of Printmakers: 1 Hundred Years, 1913–2013, San Francisco: California Lodge of Printmakers, 2013.
  4. ^ a b c Abate, Tom. "Proposed Law for Gay Rights Moving Slowly," The Daily Californian, May 23, 1978.
  5. ^ a b c Van Proyen, Marking. "Glamour and Romanticism," Artweek, March xv, 1984.
  6. ^ a b c d MacNaughton, Mary Davis. New California Printmaking, Claremont, CA: Lang Art Gallery, Scripps College, 1987.
  7. ^ a b Kennelly, Marty. "New Romantics Offer Vision with a Dose of Reality," The Daily Review March seven, 1986, p. 15.
  8. ^ a b c d McDonagh, Michael. "Immediate Concerns," Gimmicky Romanticism, Hayward, CA: University Gallery, California State University, 1986.
  9. ^ a b c d Jagger, Patti. "Cute Bums and a Render to Romanticism," Metier, Wintertime 1985.
  10. ^ a b c Jones, Harvey. "Introduction," Oakland's Artists '90., Oakland, CA: The Oakland Museum, 1990.
  11. ^ a b c Cohn, Terri. "A Legacy for the Future," Artweek, August eight, 1987.
  12. ^ Randall, Laura. Really Like That Painting? Why Not Accept It Home!, The New York Times, March 30, 2005, Sect. K, p. 16. Retrieved March 27, 2020.
  13. ^ a b Banska Bystrica. Twelfth International Biennale of Woodcut and Wood-Engraving 1992. Slovak Democracy: Banska Bystrica, State Gallery, 1992.
  14. ^ a b c The Oakland Museum. Oakland'south Artists '90., Oakland, CA: The Oakland Museum, 1990.
  15. ^ a b Johnson, Robert Flynn. Gimmicky California Prints, Berkeley: CA: San Jose Museum of Art, University of California Davis, California Society of Printmakers, 1982.
  16. ^ a b Fine Arts Museums of San Francisco. "Robert Brokl," Collection. Retrieved March 27, 2020.
  17. ^ a b Library of Congress. "Selected works from the California Society of Printmakers 100th anniversary," Collection. Retrieved March 27, 2020.
  18. ^ a b c d e Center for the Visual Arts. "Spotlight on Robert Brokl," CVA Mag, Oakland, CA: Center for the Visual Arts, March/April 1987.
  19. ^ a b Rhode Isle Schoolhouse of Design Museum. "Robert Bokl, Full Moon, Aquatic Park, 1986," Collection. Retrieved March 27, 2020.
  20. ^ a b Rauber, Paul. "The Case of the Languishing Landmark," Express, March 23, 1990, p.1, 13–xx. 1982.
  21. ^ a b c d Bealer, Cheryl. "Art and Activism," The Montclarion, June 18, 1993.
  22. ^ a b SFMoMA Artists Gallery. Robert Brokl, Artists. Retrieved February 15, 2021.
  23. ^ a b c d The Advocate. "Painter-Activist in the Berkeley-Bloomsbury Traditions," The Abet, November 17, 1978.
  24. ^ a b Sadeghi, Andrea. "Twenty-9 Degrees," The Daily Californian, August half dozen–12, 1982, p.1, 7–viii. 1982.
  25. ^ a b Curtis, Cathy. "Young Artists Testify Well in 'Works on Paper'," The Berkeley Gazette, February 26, 1982.
  26. ^ a b c Drolet, Monica. "Between serious and satirical: 'Viaggi' is a magical trip through pomp and politics," Los Medanos College Feel, Nov 22, 2002.
  27. ^ a b c d e f Journal of the Print World, "Robert Brokl to be Creative person-in-Residence," Leap, 2006, p. 17.
  28. ^ a b The Print Collector's Newsletter. Review, The Cutting Edge", September–October 1987, p. 141.
  29. ^ a b c Halula, Theresa (ed). Contemporary Romanticism, Hayward, CA: University Gallery, California Country University, 1986.
  30. ^ Baker, Kenneth. "Artists at odds with SFMOMA over gallery," San Francisco Relate, July 24, 2001. Retrieved March 27, 2020.
  31. ^ a b c The Montclarion. "Activist and creative person," The Montclarion, September 17, 1993, p. 32.
  32. ^ a b Nusbaum, Eliot. "Drake hosts 'Rose Basin' of the Printmaking fine art", Des Moines Register, April eleven, 1993, p. 51.
  33. ^ Kyoto Urban center Museum. The 17th International Impact Art Festival '96, Kyoto, Japan: Kyoto City Museum, 1996.
  34. ^ Albright, Thomas. "A Potpourri of Art That Should Be Judged Guilty," San Francisco Relate, November 5, 1980.
  35. ^ Dalkey, Victoria. "Art Evidence at Cal Expo Draws Heaps of Praise for Variety, Liveliness," The Sacramento Bee, November 17, 1979.
  36. ^ Curtis, Cathy. "Standouts at 'open' exhibit," The Berkeley Gazette, November 9, 1980.
  37. ^ Fine Arts Museums of San Francisco. "Full Moon – Aquatic Park," Robert Brokl, Collection. Retrieved March 27, 2020.
  38. ^ Dunham, Judith. New Impressions: Recent Prints by Bay Surface area Artists, San Francisco, CA: World Print Gallery, 1984.
  39. ^ Stutzin, Leo. "Relief for Art Lovers," The Sacramento Bee, November thirteen, 1988.
  40. ^ Fine Arts Museums of San Francisco. "Weeping Willow," Robert Brokl, Collection. Retrieved March 27, 2020.
  41. ^ Fine Arts Museums of San Francisco. "Figures on a Bridge," Robert Brokl, Collection. Retrieved March 27, 2020.
  42. ^ Brokl, Robert. "Why Woodblocks?" California Order of Printmakers News Cursory, Summertime 1982.
  43. ^ Fine Arts Museums of San Francisco. "Willow Span," Robert Brokl, Drove. Retrieved March 27, 2020.
  44. ^ San Francisco State University. The Cutting Edge: A Relief Impress Exhibition by Members of the California Society of Printmakers, San Francisco CA: University Art Section Gallery, San Francisco State University, 1987.
  45. ^ Gant, Michael South. "On the Compose: Printmakers show at WORKS displays wide range of tastes and techniques," San Jose Metro, January 21, 2004. Retrieved March 27, 2020.
  46. ^ Eisenhart, Mary. "Don't miss: 'Nothing Simply Dogs and Cats'," San Francisco Relate, January 10, 2008. Retrieved March 27, 2020.
  47. ^ Brokl, Robert. "'India 13" California Printmaker, May 1998, p. 23.
  48. ^ Hurley, Anne. "Fossilized Funk," The San Francisco Bay Guardian, April 18, 1990.
  49. ^ Norman, Maxine. "Bay Area Romanticists to Show Featured Work at Campus Gallery," The Pioneer (Hayward, CA), April 8, 1986, p. 4.
  50. ^ Anderson, Roger. "Large Pictures, Minor Miracles," Express, Apr 6, 1990, p. 28.
  51. ^ a b Bay Area Reporter. "SFMOMA Rental Gallery," Bay Area Reporter, May 27, 1999, p. 47.
  52. ^ a b Modenessi, Jennifer. "LMC offers art every bit social comment," Ledger Dispatch, November 29, 2002, p. 2.
  53. ^ Lederer, Carrie (ed). Dream Riddle: Images from the Unconscious, Walnut Creek, CA: Regional Heart for the Arts/Bedford Gallery, 1994.
  54. ^ Marin Independent Journal. "Best Bets: Pushing the envelope," September. 8, 2005.
  55. ^ Cheng, DeWitt. "Picks--Berkeley Arts Festival Painting Show," Eastward Bay Express, August 3–9, 2011.
  56. ^ San Francisco Examiner. "Proposed ordinance for gays is nearly ready in Berkeley," San Francisco Examiner, April v, 1978.
  57. ^ a b c Walker, Thaai. "Old Ward Edifice Deemed Historic / Foes of Oakland structure upset," San Francisco Chronicle, Nov 14, 1998. Retrieved March 27, 2020.
  58. ^ a b Brokl, Robert. "Architectural Judgment Called into Question," San Francisco Chronicle, February xi, 2000. Retrieved March 27, 2020.
  59. ^ Said, Carolyn. "Historic Oakland dwelling's owner getting help," San Francisco Chronicle, February 2, 2012. Retrieved March 27, 2020.
  60. ^ Brokl, Robert. "Berkeley Snubs Briggs: Gay Rights Victory," Grassroots, October 4–eighteen, 1978.
  61. ^ Edwards, Eleanor. "Gay rights ordinance passes," The Independent and Gazette (Berkeley), September 20, 1978, p. 1, 3–four.
  62. ^ Brokl, Robert. "Gay Rights Proposal," East Bay Phonation, September 1978, p. 3.
  63. ^ a b Kirkwood, Kathleen. "Heritage grouping lists endangered buildings," The Oakland Tribune, June 27, 1997, p. A1, A13.
  64. ^ Brokl, Robert. "Oaklanders tin concenter tourism past preserving buildings," Montclarion, March 24, 2000.
  65. ^ Hardy, Charles C. "Merritt College building is site of preservation battle," San Francisco Examiner, March ix, 1993.
  66. ^ Zamora, Jim Herron. "Erstwhile Merritt College's Last Stand," The East Bay Guardian, February 1991, p. 19–20.
  67. ^ Bealer, Cheryl. "Hereafter of sometime Merritt still up in air," Montclarion, March 8, 1991.
  68. ^ Seale, Bobby. Seize the Time, Baltimore, Medico: Black Archetype Press, 1970. Retrieved March 27, 2020.
  69. ^ a b Brandt-Hawley Police Group. "Due north Oakland Voters Alliance v. Oakland (1992) 1992 U.S. Dist. LEXIS 19033, 1992 WL 367096," Cases. Retrieved April 2, 2020.
  70. ^ a b Wang, Arlene M. and Lisa Owens-Viani. Brownfields Redevelopment: Meeting the Challenges of Customs Participation, Oakland, CA: Pacific Plant for Studies in Development, Surround, and Security, 2000.
  71. ^ a b c Selna, Robert. "Oakland lengthens list of imperiled landmarks," San Francisco Examiner, July ix, 1998.
  72. ^ Walker, Thaai. "Oakland Schools Win Right to Dicker For Quondam Ward'due south Site," San Francisco Chronicle, May 27, 1998. Retrieved March 27, 2020.
  73. ^ Oakland Mail service. "Wards Demolition 'A Sad Occasion'", Oakland Postal service, Feb 14, 2001. p. four.
  74. ^ Brandt-Hawley Police force Group. "League for Protection 5. City of Oakland (1997) 52 Cal.App.4th 896," Cases. Retrieved Apr 2, 2020.
  75. ^ Brokl, Robert. "Scott Wiener is the Housing Manufacture's Pied Piper," The Berkeley Daily Planet, June 14, 2019. Retrieved Apr 2, 2020.
  76. ^ Muck Rack. "Robert Brokl." Retrieved April two, 2020.
  77. ^ Brokl, Robert. "'Queering' David Park: Is Information technology Off-white to see Homoerotic Subtexts in Park'southward imagery?" The Berkeley Daily Planet, November 21, 2020. Retrieved Nov 23, 2020.
  78. ^ Brokl, Robert. "Augusta Rathbone: Rediscovered Printmaker," California Printmaker, October 1984, p. 6–7.
  79. ^ Madeline Carter. "Richard Caldwell Brewer (1923–2014)," San Francisco: Lost Art Salon, 2018.
  80. ^ Artweek. "2006 Gottlieb Grants," July/August, 2006.
  81. ^ Brokl, Robert. "Alter and Growth," California Society of Printmakers News Brief, Winter 2006, p. 8–9.

External links [edit]

  • Robert Brokl website

baileytanybeen.blogspot.com

Source: https://en.wikipedia.org/wiki/Robert_Brokl

0 Response to "Bob Moon Fine Artist California School of Fine Art"

إرسال تعليق

الاشتراك في: تعليقات الرسالة (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel